Big Bayr's Cave

Find here the musings of a man finally settling comfortably into middle age. Topics of interest will include my work in theatre / visual arts, changing masculinities in society, education, civility, spirituality, and a return to playfulness. OH, yes, also my personal story of childhood abuse. YOUR COMMENTS ARE ALWAYS WELCOMED.

Name:
Location: Batesville, Arkansas, United States

Trained as a painter and set designer, I've worked in liberal arts environments for all of my adult life. I'm content with my 27 year marriage to a sweet woman (who's a genius as a cook.) I am the proud father of a 21 year old son who's double majoring in Russian and English at the University of the South. My mother arrived in the US in 1948 to marry my father who'd been a GI in the occupation following World War II. I closely relate to issues concerning diversity, which I define more broadly than a matter of race; any definition of diversity must include the full spectrum of what makes each of us individuals.

Saturday, January 06, 2007

Six: Once my eyes were opened, could they ever be shut again?

Before I begin my "work" for the day, I want to post the meditation I found in my email this morning. I subscribe to a Native American 12 step site called White Bison. I really appreciate the daily calls to spirituality in my email box.




Elder's Meditation of the Day - January 6

"When we're through with this earth and all these problems, we don't have to come back. But as long as we're here we have a job to do and a purpose to fulfill and that means dealing with the circumstances around us."
--Rolling Thunder, CHEROKEE

We are put on the earth to participate in life. We have a beautiful mind, we have the ability to pray, we have the ability to change, we have the ability to accept, and we have choices. All things God created are constantly changing. This constant change causes our circumstances to change. Sometimes we say life is difficult. During these times we need to use our tools: the tools of prayer, and the tools of meditation. We are designed to change and live joyfully on this earth. The only requirement for living joyfully is to live according to the laws, principles and values given to us by the Creator.

Great Spirit, give me Your courage today, and guide my footsteps.
At the end of the last passage, I fretted that I couldn't remember the third "neurosis" I believe I developed as a result of my father's abuse. I woke up at four o'clock this morning and there it was on the front burner: body image. Between the ages of four and six, particularly in the months preceding my entry into the first grade, I went from being tall and lean for my age to "husky." That was the euphemism clothiers used for "fat kids' clothes." I believe I used food for comfort and as a defense mechanism, not in a conscious way, but I really altered in appearance. Photos make it seem "overnight." I would be the tallest kid in my classes until the eighth grade when my peers caught up and then left me behind at five feet, eight inches. Now, my dad had acquainted me with a REAL MAN'S PENIS (the latter wasn't the word he used) and I understood from that point forward that I would never "measure up," not just anatomically, but psychologically, as well. My last therapist even went so far as to tell me that men can't see their own penises the way other people see them because of the perspective. I developed a complex at four years of age about the size and acceptability of my penis. How "normal" is that? It didn't help when, hitting puberty at the age of ten ( I believe most men recall their first ejaculation) I discovered my father's pornography. How equipped was I at that age to distinguish between fantasy and reality? I was just coming into my own sexually and I actually accepted the scenarios in the pulp fiction as fact.
To this day, I remain terribly self-conscious about my whole body and I fight an on-again, off-again battle with my weight. Years ago, when I was in an intimate moment with someone, they admonished me to "Relax. Quit sucking it in." When I was in college, women could probably read my intentions toward them from a mile away. I was VERY anxious to lose my virginity. I recall making out with one young lady who grabbed my erection through my jeans HARD, and she whispered in my ear wisely, "You feel that, Gary? You don't need me to prove you're a man." Well, that ended the date, but she was really sage beyond her years. During my adolescence, my father had so very little to say to me directly. Around age sixteen, I recall the following observations from him (call the nuggets of fatherly wisdom?):
  • "If you really want to do it, then your gonna have to date another kind of girl. These girls you're dating now are too 'proper'."
  • "'No' doesn't always mean 'No.' It just means you've got to keep at it and wear her down. It's all part of this little game girls like to play."
  • "I just don't see how you can stand wearing those jockey shorts. You ought to wear boxers like me, so you can hang free. Let people see what you have."

I developed a couple of phobias along the way. I've always known--remembered--that my father took me to the movies while mom was hospitalized. There were four cinemas in Bristol at the time: two that showed "B" films ( I clearly remember an old ad from the paper with a gorilla chasing women. No, I don't believe it was a revival of King Kong.) and two that showed first-run films. The Paramount, mentioned before, was the largest and grandest. The Cameo sat on the west end of the major shopping district. It was there that dad took me to see Cinderella. It was my second time to go to a movie. When we lived in Kingsport, my mother had taken me to see Song of the South. I've always been able to sing Zip-A-Dee-Do-Dah and the animated bluebird flying around the Uncle Remus character is still easy to visualize. For some reason, dad guided me upstairs to seats in the balcony, which was steeply raked...so much so that I was distinctly afraid of falling. In spite of my fear--or because of it?--he insisted we sit on the first row against the railing. I remember something of Elvis in Jailhouse Rock and another trailer about the life of a country music star (Hank Williams?) For most of my life this and an incident in the rest room of the Cameo were all I could remember...and my father sleeping through much of the Disney classic. But I've recovered this snippet of memory now: my dad scooted forward in his seat and had me put my head in his lap...then I'm on my knees between his legs. I can look up and see the booth with the flickering light of the projector. Sometime...after whatever...I had to go pee. Dad was asleep. I found the men's room off the second floor foyer. I opened the door and I believe I surprised two men who were standing at the urinals. They quickly turned away from each other. My dad came looking for me and dragged me out. To this day I am afraid of heights, although I've had to deal with that issue repeatedly in my work, and I am also afraid of closed spaces. I can attribute the first to this balcony experience. The latter ...well, I can't identify the source but I wonder if the darkness of the balcony, my fear of falling, and my sense of being trapped between the balcony wall and my father's legs aren't responsible to some degree. What little there is of this memory is clearly sexual in nature, although I don't recall dissociating. Instead, it feels like a blackout. What I have recaptured...well, minor victories are important.

I believe my wife is getting frustrated with the attention I'm giving my issue. She said a while ago, "But life has got to go on." Indeed, it does. Balancing the demands of daily living and the ghostly presence of my father in my memory is difficult. That's why I'm writing this, so I can go on.

Thursday, January 04, 2007

Five: Can You Tell a Book by the Cover?

I'll continue to edit these segments until I get them "right," whatever that may be. I continue to be hesitant about my last posting because something feels off in the chronology. It probably doesn't really matter to an idle reader, but it feels so important to me. I know the passport photo was taken--and the travel document applied for--in Kingsport. I still remember going to the photographer near the bus station in downtown Kingsport. Mom had on her best brown wool dress and silk scarf. But I'm quite sure we moved to Bristol before departing for Belgium. I also know we never celebrated Christmas in that upstairs apartment. It may well be possible that what "feels" like a protracted period of time might well have been relatively brief. What is time--or space and scale, for that matter--to a child? I never realized how small the apartments were until I returned to the complex as a teenager taking a poll in advance of the first Earth Day.




The subject for today is appearances. Take a look at the man in the photo below. Yep! That's me playing out the persona of Money Tee Hole for a Residence Life version of Let's Make A Deal. I was quite conscious of making theatre my choice as an area of study. For a brief time in college I had a stutter, except when I was playing a role. I'm a good actor. Growing up the way I did I learned to be a performer. The "good little boy" should have been nominated for an Emmy.


I belong to a web-group for male survivors of abuse called Courageous Men. Recently, one of the members asked, "Why me?" I believe it is a question that occurs to anyone who has been abused and it is usually followed with "What did I do?" Jeez, how many times in my life have I asked that question. Is there something like a pheromone that I exude that identifies me as being vulnerable, an easy target, a willing partner in victimization? I'd love to hear a professional comment on this issue because it seems as though, once I was "opened" to abuse, other "bullies" (particularly of the male gender) recognized that I "could take it."



A produce market called "The Apple House" stood next door to my father's service station. The men who worked there were older than my father. One, I recall, was obese (not that the word was in my vocabulary at the time) and always wore bib overalls. Now, in the clouded banks of my memory, I don't recall if what I'm about to mention happened once, twice, or more often than that. I do know that almost any time I visited my father's Shell station, I 'd get a little money--probably never more than a quarter--and I could run over to the Apple House. It was the typical Southern fruit stand that had probably started out as a lean-to shed on the roadside and over time it grew as necessary. The "box" off an old refrigerator truck sans tires stood next to the building and had a crudely painted "Cold Watermelons" on its rusting sides. At the counter where the cash register stood, penny candies of endless variety were available: wax lips, wax soda bottles filled with sugary-sweet syrup, candy cigarettes (looked just like dad's Winstons), Mary Janes, licorice whips, Neccos (my favorite)--in other words, a child's vision of paradise. The men who ran the place knew my name--I think--but always announced when I came through the screen door, "Here comes little Charlie!" They'd smile and laugh and ask me, "What can we do for you today?" On some days, I'd spend all the change I had. On other days, I was given some treat for free, but only after one of the men said, "Hey, little Charlie, come with me. I've got something to show you." And they (one or the other) would take me either into the back storage room or to the watermelon cooler to show me what they had in mind. I can still feel the bib overalls guy standing behind me with both hands on my shoulders telling me to look at the pretty girl on the calendar. The store room was lit by a single clear light bulb that gave off a harsh, unpleasant light and I can smell--right now!--over-ripe fruit, particularly peaches. The man kept asking me what I thought of the girl's "titties" and then he'd laugh, squeeze my shoulders, and rub his crotch against my head. I don't know that it went any farther. The man smelled like the fruit and was always tugging his crotch when I was around. Again, "What did I do?" for him to think it was OKAY to do this with a child. Did all men do this with boys in the Fifties? I'm serious in asking. I mean, surely not, but how am I to know for certain? Doesn't every child assume what is happening to him must be happening to every other kid he knows? Then how did I sense it wasn't alright to talk about it if I wasn't told not to? Other boys and girls in the apartment complex certainly didn't say, "Guess what daddy did to me last night?" when we were on the playground. Other men would do things to me, as well...more of that later.

The incident in the service station men's room led, later in my life, to three behavioral "oddities" (neuroses?) that I began to articulate in therapy. The first of these I originally expressed through "toilet behavior": from age four until age ten, I refused--I couldn't bring
myself--to go into anyone else's bathroom to void bladder or bowels other than the one in my own home. I tried but I was scared to death that "something bad" would happen to me. I couldn't tell anyone at the time what that bad thing was because I had already dismissed it from my mind. I was in the Sixth Grade--captain of the Safety Patrol!--and one of the perks of the post was free admission to the Saturday afternoon movies at the Paramount. That's my first recollection of going into a public restroom in the basement of Woolworth's and reading the graffiti. I understood exactly what the message was talking about. I wouldn't be surprised that a ten year old today would understand the request, but I wonder how many boys in the mid-Sixties would know.

I developed a fascination for my father's boxer shorts. Do you believe a child four years of age can give expression to a fetish? The situation was this: I loved to ride my tricycle from our building to the playground. Life had changed for me in a big way. We played house in the sandbox and performed mock operations on the teeter-tooter. For some reason (today I believe I might have thought "I'll show them a real grown-up daddy!) I decided to go into my mom and dad's bedroom and open the underwear drawer in daddy's chest. There were his boxers, all neatly pressed (yes, my mother ironed underwear!) and stacked. There was a very special pair, pale yellow in color with a little piece of satin sewn inside the crotch (!?!) and I took them. I folded them and slipped them under my shirt so I could leave the apartment without mom knowing I had taken them. Then I peddled as fast as I could. Bobby, Gino, and Suzi were already at play. I pulled the boxers out from under my shirt and, while I was pulling them on over my jeans, I shouted, "I wanna be the patient." I turned my back on the kids and reached through the fly of the boxers to unzip the fly of my jeans. I pulled out my penis. Then I ran to the "operating table" and as I climbed on, the "doctor" and "nurse" asked me what was the matter. I said, "My peter needs an operation." I'd thought the kids would be as excited as I was wit the prospect of the game. I thought the doctor might do something to my penis as I had been forced to do with my father. I now see that I was "acting out" in a big way. My friends didn't understand. I don't recall if they laughed. Instead, I have the feeling that they all wanted to leave the playground quickly. Suddenly, they all had to go home leaving me alone to take off the boxers and go home...scared. What if they tell their folks and somebody tells my dad? I remember being so scared. I'd stolen something of value to my father. If I didn't put them back in exactly the way I had found them, he'd find out. I shook as I put them back. This "put things back the way you found them" would become a skill I would practice later. Why is this important to me now? I finally made the attachment between a memory I always had--this game--and the one I recovered--the sexual act in the bathroom. One of the things I saw clearly from my vantage point pressed against the urinal, through the gaping fly of my father's uniform pants right after I'd unzipped him, were his boxer shorts. They weren't jockeys like mine. It's really the last thing I see as little Gary while he presses my hand through his fly. Then I rise up out of my body. Then I watch but I have to close my eyes before long.

I said three neuroses but, having completed the passage above, I can't clearly recall what I'd originally meant to say. Again, for today, this is enough.

Tuesday, January 02, 2007

Four: Bringing Light to the Tunnel

There's an oddity to the chronology of a blog that's more than a little disconcerting. We're accustomed to reading a book from front cover to back cover, but someone stumbling into this story could very well begin with today's posting and be rather lost. So, if you have dropped in here by chance, please note that the title of this entry says "Four" and I advise you to go scroll down and begin at the Prelude. Sure, others might call it a "Preface" but I'm a bit musically inclined and I'm also influenced by August Wilson, the great African-American playwright, who so eloquently preaches the necessity of each of us finding "our song"...even painful tunes need to be heard. Down here in the South, we call that the Blues. And everybody's got those.

I wish you were sitting here beside me so I could say these things rather than writing them. While some have decried the value of conversation with the observation "Talk's cheap," I'm here to tell you that the spoken word vanishes ... POOF! I say "it" and it's gone right out of my mouth. But the written word is tangible. I can touch the print. Words on paper have a life all their own. That's why I've encouraged others who been where I've been to get it out on the page where it cannot have nearly the same power you've given it in your head. Putting the inner life--the dialogue and the narrative--on the page makes the whole shooting match another creature entirely. You can take that new being and wad it up! You can tear it up! You can burn it, cut it, chew it...or put it away in a drawer and never look at it again. But you have to do something with it. Talk? You can deny you ever said such a thing. (I feel I'm falling into a distinctly Southern cadence here but that's what I am and, for today, it feels right not to deny it.)

My wife just drew my attention to the New York Times. The newspaper picked up on a blog (The Lede) which noted a recent report in a psychiatric journal. A study has revealed 59% of victims of childhood sexual abuse suffer from clinical depression. The reactions in the comments section are predictable and might be summarized as follows "What took them so long?" Perhaps more shameful is the virtual lack of reportage concerning males as victims. I am thankful for the very few books that have been written on the subject. Michael Lew's Victims No Longer is a very painful, but terribly important, read.

The rest of this segment is very much
"Under construction"
so grammarians please exercise some patience.


A Great Gift: Sorry to have gotten off track. I am easily distracted, particularly when there's a task at hand that needs doing but I'd really rather not...oh, well. Other than feeling my father's penis under the covers, most of the memories surrounding my baby/toddlerhood were either pleasant or fairly unremarkable. I clearly remember the arrival of a crate from Belgium. Mom popped it open in the middle of the living room floor. It was evening. At first, nothing was visible except for excelsior, which might have been toy enough for a two or three year old. But mother moved her hand into the depth and drew out two toys that I still own today. There was a stuffed camel with a little metal button on his ear--not soft and cuddly like toys are today but highly detailed with cleft hooves. More wondrous than that, however, was the fully jointed mohair-furred teddy bear that growled when he was tipped back and forth. Just amazing! A couple of years later, I grew so attached to the bear that I believed him quite capable of growing his hair back if I were to give him a GI haircut just like mine. I suppose I happened to cut off his metal button tag that signified that he, like the camel, had been made by Steiff. I believe my mother cried a bit and told me what a lucky little boy I was. The only other thing I find remarkable about this memory is what I recognize as the effect of dissociation. I start out "in the child" and then I am outside looking on, first over Gary's shoulder, then a bit more distant as though I'm being pulled away by a shadowy figure. This very moment is a realization for me. Before now, I thought my first contact with a dissociative state had been later, when I was older and the abuse was overt. I have to take a break.
Initial Body Awareness: A walk around the block later and the burgeoning panic attack is diverted. This is why I am writing? Right? Right. As I said before, nothing else was particularly extraordinary. A girl roughly a year or so older lived next door and was my first childhood friend. Her name was Candy, although her parents called her "Hop-Along" after the popular cowboy star of the day. She liked wearing cowboy boots and a cowboy hat. She may have even sported a holster and a six-gun. But cowboys only went so far and maybe her parents were already trying to address her "tom-boyishness" and let her know that girls became nurses. I believe she had an older sister...or not. I'm not sure it matters except she was there when Candy tried to give me a shot with a thin piece of copper wire. I'd had enough of those already what with all the penicillin for those sore throats I'd had and I understood the routine. I dropped my shorts in the pup tent in her back yard. While she stuck me in the rear--ouch!--either she or her sister were more fascinated with my penis. It's my first memory of having an erection. It is a blissfully innocent memory.
The first appearence of "little people": The house on Cassel Drive in Kingsport was home to imaginary friends: Girlfriend, a nurse/fairy who made "green me'cind at the hopsital," and several ethnic chums named Een-Koo the Chinaman, Aji-Baba, Sho-Sho-Dee, and Van-Toon-Tin. My mother was an immigrant in Appalachia. You should expect diversity. I'm also quite certain that these boys weren't entirely products of my fertile imagination. I recall enjoying the story of the Chinese brothers (three? five?) and I also adored Ali-Baba and the Forty Thieves.
Dad and his family: My father worked...a lot. He owned an automobile trim shop--his mother taught him to operate a sewing machine. He managed a service station. If it had wheels, it held his interest. His businesses were in close proximity to the floral shop owned by his brother-in-law and sister, and his two older brothers lived several blocks away. The district was known as Highland. His parents lived in the area, too, across from the Model City Motel where "Grandmimi" worked before her first stroke. The family was nuclear with a capital "N." Mother was "from oversea" and, as we were to learn from neighbors years later, "Yvonne spent all of Charles' money" and "thinks she's better than everybody else." Warning: it's best not to let a foreigner in your midst. I have no other memories of my father during my first three years. Surely he was home...sometime. But his absence--physically and/or emotionally--had already become a pattern that he'd not explain until many years later. Frankly, I should offer up thanks for the moments of disclosure that did come in his later years. His "folk" were not demonstrative of affection or much else. My mother was a distinct contrast.
A Change of Location: I'd turned three when my father accepted a job in Bristol, twenty-five miles away from Kingsport by way of a curvy two lane highway. Apparently dad's old friend, Ron Hennerd, convinced him he had the right stuff to work as a new car salesman--on commission--at Ron's Ford, a sparkling new dealership on West State Street. Our house on Cassel Drive was put up for rent. I suppose dad had some idea of becoming like his brother-in-law who was snapping up rental property in Highand, a sideline that grew out of his floral business. Dad was planning on getting rich, not that I knew it then but he would admit it to me later. So we packed up and moved to #38 in the Lee Garden Apartments. From our second floor apartment, there was an amazing view of the Holston Mountains off in the distance. The complex was filled with young couples and families. Dad joined the Jaycees. He and Mom had their first arguments. I believe now that is how the "tiger" came into my bed in the first place. When a man gets kicked out of the master bedroom in a two-bedroom apartment, where's he going to go?
Mom's family: We weren't in the apartment long before Mom and I boarded an airplane bound for Belgium. Of our trip to New York for our departure, I recall sitting in the back seat of the car--a grey DeSoto--and "punishing" a stuffed animal I called Floppy. He was no more than a reddish corduroy pillow shaped like the face of a slack-jawed hound dog with long, Bassett-style ears. Of course, cars didn't have air-conditioning then, so I was holding Floppy out the window by his ears. I lost my grip and miles later, dad picked up on my whimpering and cursed every mile he had to double back along the Blue Ridge Parkway to pick my wayward friend. I don't remember any consequences. I do, however, recall being frightened of telling him what had happened. Years later, Mom would tell me that dad had been having an affair and the trip was intended as a cooling off period. She admitted that once we landed in Brussels, she gave serious consideration to cashing in the return tickets. But she was a proud woman who found it difficult to throw in the towel and we returned to America a couple of months later.
A Sibling Almost Arrived: We weren't back in the country long before Dad changed jobs and we moved one floor down and half a building over into #32. Dad apparently earned enough in commissions to purchase a new service station a block and a half down the street from Ron's Ford. Mom got very excited about decorating both the apartment and the station for Christmas. Mom became pregnant. Of course, I didn't know it at the time for pregnancy, like cancer, wasn't openly discussed then, at least not in front of children. But I remember coming back to the apartment one day after playing and a bunch of people were in the foyer of the building. Our neighbor across the hall, my "Aunt" Ginny snatched me by the wrist and took me into her apartment. I'd seen some blood on our apartment floor. "Your mamma's had an accident and I'm going to watch you until your daddy comes home." Mom had a miscarriage and there was considerable hemorrhaging. They'd carted her off to Bristol Memorial Hospital. Dad was going to have to keep watch over me at the service station. She was hospitalized for what seemed a very long time. "Thanks" to therapy, I now realize that during this time I was overtly abused.
The Big Moment That I Won't Remember For Years: There's not a great deal for a child to do at a filling station. I sat at the desk in the office and played with the adding machine. I doodled. I believe several evenings dad's mechanic took me home so I could play with his daughter. That was my first memory of having a fried bologna sandwich with mustard and Miracle Whip on white bread. I was put into Miz Bummy's kindergarten for the mornings. But my father had to tend to me in those uncovered hours. I did my best to stay out of his way. I was a good boy.
At some point, I needed to pee. I went out of the station to the men's restroom. I don't know if I lingered too long, but my father came in looking for me. He locked the door. The urinal was a "floor" model and he backed me right against the white porcelain. My polished Buster Browns were planted in my urine. He encircled my right wrist with his meaty hand and brought it against his fly...blue uniform pants. He instructed me to unzip him and pull out his penis. He didn't use nice words. He told me to put his penis in my mouth. He tells me that he's a real man. It's at this point in my memory that I fly away, right up against the ceiling and I can see the little boy Gary being used by the man. I can't go any higher or farther away although I desperately wish I could and the rest is blackness. Later, because "You've been a good boy" I'm given the money to buy a YooHoo chocolate drink from the outside refreshment stand near the restrooms on the side of the building. I come back to the desk. I open the center drawer. There's dad's pistol. I get in trouble again. I'm not as good as I think I am.
That's enough for today. I'll edit later.

Sunday, December 31, 2006

Three: Contributing Factors--Perhaps

I believe I am a rational man. Indeed, I may think a thing to death. I've tried for most of my adult life to understand who I am and what has happened to me. I've wanted to place the situations and circumstances of my personal history into a logical framework, one that demonstrates the clear progression of cause-and-effect. The existentialists would tell me I am bent of a fool's mission. But early on in life, I was told by the nuns who were instructing me in the Baltimore catechism that there was an answer for every question ( they didn't add "If it's the right question") and, so, I learned the responses, Q:"Who made the world?" A: "God made the world." Q:"Why did God make the world?" A:"God made the world to show forth His goodness...." and I attempted to regiment my patterns of thought to a model I was taught would be acceptable to God. Roman Catholicism played a very important role in my formative years. I'll try to explain in this posting.

My mother was brought up, as she described it, in a "Continental" Roman Catholic country. As I understand it, neither of her parents were particularly religious and I never thought to ask her how she became so devout. She drew a distinction between Catholic practices in Europe and those she found in the local parishes of Kingsport and Bristol where the priests typically came from Irish stock. As I was growing up listening to her opinions at the kitchen table, her implication was the church in Appalachia was far more conservative and legalistic than she had known in Belgium. Her contact with church law came about when she phoned the priest at Saint Dominic's to arrange for my baptism. When the priest said he had no record of my father and mother being married in the church, my mother explained that they had married in a civil ceremony. The priest then told her I was "born out of wedlock" and was, therefore, a "bastard." So, before I could "become a child of God," my parents had to be married in the church. Added to this complication was the fact that my father was not a Roman Catholic, nor had he been baptized. He'd been brought up in a "backwoods Methodist" home and my grandmother had some notion that one day all of her children and grandchildren would accept Christ and come forward for baptism all at once as a testimony and tribute to her being a "good Christian woman."

As I would learn in parochial school, a "mixed marriage" was dangerous. Although word anathema was not in my seven year-old vocabulary, the nun giving us religious instruction certainly painted the idea as a slippery slope toward damnation. Further, the nun expounded on what happened to unbaptized souls at death to a degree that one might believe she had witnessed the tortures first-hand. I was continuously aware of my father's "predicament" during those years to the point that I would tearfully beg him on numerous occasions--if he loved me--to go to the priest, receive instruction, and convert. Wasn't that what a good Catholic child ought to do in this situation? At the time, either I didn't know or didn't care that when I was baptized the priest had my father sign a document surrendering my education and religious instruction to my mother and godparents. It is here that I have to put myself into my father's shoes. What kind of resentment would I have acquired had I been asked to do the same at the baptism of my own son? Are you keeping a tally of barriers to paternal bonding? First, I'm born physically defective (arguably corrective but most fathers-to-be anticipate a birth problem-free, and my father's upbringing would have led him to believe that illnesses and birth defects were signs from God) and, next, I'm a bastard for whom he has just signed his rights away. Would I have begun to shut down emotionally?

Other than the church, there were other tensions that distorted the relationship between husband and wife. When my mother arrived in this country with three suitcases, a one-way ticket from Belgium, and on a 90-day marriage visa, my father was at LaGuardia to greet her: "Yvonne, I've changed my mind about marrying you but I thought this would be a nice vacation for you." This was a story my mother told me on numerous occasions, more often as her dependency on alcohol deepened. It was an incident she never let my father forget. And I cannot imagine what she must have felt when she heard my father's words. I've read the notes she placed on the backs of photos she'd sent from Belgium while they were dating over long distance: "See, I can be a farmer girl if I need to be." She came to America to marry a man she'd met during the Allied Occupation of Brussels. She never introduced him to her parents. She believed that America and this promise of marriage was a golden opportunity. Charlie drove her from New York to Kingsport. She said they arrived at night and he said, "Here's the town!" Her response was, "Where?" It was an understandable response. Yvonne had spent all her life in major European capital. As she spun the tale to me, she described her first days in America as a kind of shell-shock. She was welcomed briefly into my father's home. My dad's younger brother was living there with his young bride who was expecting. Two other brothers and his sister were married and out of the house. Mom knew she'd have to support herself, so she found a job as a Linotype operator and translator at the Kingsport Press working for "Colonel" Palmer. One hundred-ten days after her arrival in this country, Immigration officers arrived at her apartment door, "Whacha doin' here, honey? Why aren't you married?" She explained that her fiance no longer wanted the marriage and that she didn't want to be a burden on society. They informed her she would be deported. The colonel intervened. Arrangements were made for my mother to re-enter the country. At first, it was to be by way of Cuba, but those plans fell through. She was bussed to Monterrey, Mexico, and later to Ciudad Juarez, where she waited for forty-five days for her Mexican quota number to arrive. She re-entered the country by way of El Paso, a "woman without a country" for she'd surrendered her citizenship papers at the airport in Brussels the day she purchased her one-way ticket to America. It was two years later, in 1950, when my father knocked on her apartment door and said "I made a mistake." He'd loaned his car to a woman he'd been dating and one of his brothers had found her in it with another man at the drive-in movies.

The Korean Conflict didn't help the newly weds. Charlie was in the reserves and summoned to Fort Benning in Columbus, Georgia. Mom had no fond memories of being a corporal's wife: the pay was meager, the fear that her new husband would get shipped off ever-present, and the climate was vastly different from that of Belgium. But the marriage survived and dad didn't "re-up" when the time came. In the meantime, they decided that it was time to have a family. She had difficulty conceiving. The first OB/GYN said her uterus was tilted and she would never become pregnant. My father then said, "That's okay. I'll build you a nice house instead." But shortly after they became resigned to a childless marriage, my mother missed her period a couple of times and she went to another doctor. He reported, "Yvonne, you're pregnant." Mom replied, "Impossible I was told..." to which the doc answered "I don't care. The rabbit died." So, in the spring of 1953, baby made three and life was looking fine. Fine until the nurse, a family relation, visited mom just out of the recovery room. "Can I see my baby?" was her question. And Virgie said, "Why sure, Yvonne, but before you do, you need to know there's a little problem..." Today, I look down at my foot and I see all five toes and I wonder what all the fuss was about. But I have to remember the Fifties, the South, and a family of unsophisticated people for that's what my father's people were. Dad had completed his GED in the Army and he also sported false teeth thanks to the military. I'm not casting blame. The Depression was hard on folks. I'll venture to say it was probably harder on folks in Appalachia. In this list of oppositions that formed a shifting foundation for Charlie and Yvonne's relationship, there was a vast difference in their socio-economic backgrounds. While my father earned his high school diploma in the Army, my mother had completed her degree in Germanic philology at the Free Thinker's University of Brussels. My father's parents were distinctly blue-collar: my grandfather first worked in the coal fields of Southwestern Virginia and my grandmother took in washing and served boarders. In Kingsport, my grandfather became a night watchman and my grandmother became a motel maid. My mother's mother was principal of a lycee and my mother's father--a truly towering intellectual figure--was principal flutist and, at one time, conductor of the national opera orchestra at the Theatre de la Monnaie in Brussels. His brother conducted the national radio symphony. As I was growing up and becoming more and more aware of my parent's differences, I kept asking myself, "What could possibly keep these people together? What do they have in common?" Part of that answer was "Me."

Saturday, December 30, 2006

Two: Circumstances Beyond My Control

My earliest memories are of pain, doctor's house calls in the middle of the night, a flash associated with an orthopedic clinic, major bouts with sore throats and fevers, someone throwing my red Radio Flyer wagon into Reedy Creek that ran next to our street...not stuff that the family photographs record. Those visual images are not ones I actually recall. I was told what was happening during those moments by my mother who, I assume, took most of the photos. I never recall a single instance of my father taking a photograph. The pain was associated with my leg. I was born with a club foot. A week after my birth, and every week thereafter for eighteen months, my leg was cast in plaster and then bound in an iron brace to force my foot to turn out. Thankfully, I don't remember most of this: I have a flash of a woman receiving a paraffin treatment in a clinic; I was told that I kicked a hole through the rails of my crib and into the drywall of my nursery; and I have a distinct recollection when we moved out of my first house of going through to see if we'd left anything behind. At the top of my bedroom closet was the ugly brace--red metal and leather straps--and my father smiling down at me and saying, "Well, we won't be needing this anymore, will we, Gary?" I wasn't born "perfect." Few of us are. I'm not sure that my parents necessarily made anything BIG out of it but I was made conscious of it when I began to experience pain walking around the age of six. I was taken out of my adorable Buster Browns (look, Mom, they can x-ray your feet in the store!) and placed in "corrective" shoes...ugly, ugly, UGLY...although they didn't become a conscious problem until kids at recess asked me where my sneakers were.

I suffered from sore throats from early childhood until puberty. I didn't know why and neither did my mother. The doctors wouldn't recommend a tonsillectomy because, they said, the tonsils "weren't diseased." I wonder, however, if some of these instances weren't related to my father. It's no more than a suspicion and I shudder when I even think of it. I'll get there in due time. The memory banks are such a pastiche. Piecing the fragments can be frustrating.

I was precocious and into everything. My mother loved to tell stories of me running (even with the cast!) out of doors naked as the day I was born; drinking an entire bottle of Trivasol vitamins because I liked the taste; smashing eggs on my head to make shampoo--well, you get the picture. Supposedly, it was my father who placed the first stuffed animal in my crib. I include this detail because the animal toys played a significant role later on. When I got into a "big boy" full-sized bed and the terrors were seeming to become nightly visitors, I'd use them to construct a barrier down the middle of the bed to protect me from the "bad side" from where the nightmares invariably came. Of the more complete memories that are wholly mine, I distinctly remember climbing into my parents' bed on a Sunday morning to read the comic pages while my father read the rest of his paper and had his morning coffee. Pretty much until she was incapacitated by cancer, mom always got up before dad to prepare his coffee and get his paper. Dad slept in the nude. I can still feel the warmth of his body against mine. That should be a good feeling...one of attachment that only a parent may share with a child. But on this particular morning, in addition to the comics and the paper, I can see one or more men's magazines, something I'd recognize today in a flea market as "pulp fiction" titled STAG or Male sporting bound women in torn blouses with "evil" Nazi officers strutting about, and all I can feel is his penis, wet, against my buttocks. A therapist once told me that one of my greatest problems with recall and giving voice to some of what happened to me was that the incidents occurred when I didn't even have the language to describe what was done to me. In my mind, it didn't (and today, it often still doesn't) make sense to me.

In my own chronological recollection, the nightmares didn't begin until we moved from Kingsport to Bristol. Only twenty-five miles, but in the Fifties and in Appalachia I suppose when you moved that distance from family, it was like journeying to the moon. We returned regularly to Kingsport every Sunday to visit my grandmother and dad's brothers and sister. We moved into an apartment complex. We weren't there very long before mom snatched me up and we flew to Belgium to meet here family. But sometime before that, in our first of two apartments in the complex, I began to develop fears--screaming-Mimi-get-everyone-up-in-the-middle-of-night-won't-go-back-into-THAT-BED!--nightmares that were expressed in animal imagery. During therapy, I brought myself to the point where I could draw what I recalled. The earliest I call "Tiger in my bed." I'll scan the image and paste it into the blog. If you can imagine sensing as you slumber the warmth of a large, furry body beside you, licking you with a sandpapery tongue, opening your eyes in the dark and becoming aware that this animal mounting you, will harm you, will eat you, no amount of "sh-shussh" and stroking will get you to shut up. YOU'D SCREAM AND STRUGGLE! And when I "came to" my father was standing by my bed in his boxers. Mom was out in the hallway asking, "What's wrong? What's the matter?" Those questions would be asked of me from the time I was three until I was ten the night my father "cut me off." There was nothing wrong with me but I began then to believe that what was happening to me was MY FAULT.

I've written what I can stand for one sitting. I ask your patience.

Thursday, December 28, 2006

One: The Major Players

Being in the theatre, I realize how important a program can be to an audience member. You want to know who the players are before the curtain rises, right? So, let's get to dramatis personae:

The father is played by Charles Luther Harris, born a year or so before the Great Depression hit the little Appalachian town of Kingsport, Tennessee. The aforementioned cataclysm will redirect the course of many children born in the era known as the Roaring Twenties (although I very much doubt that life made much more than a peep in the hills and hollers of East Tennessee and Southwest Virginia) and certainly made Charlie's young life challenging. He dropped out of school and joined the Army as soon as he was able. As a teenager, he learned to drive and ran moonshine...or so he told me in one of his rare moments of self-disclosure. He also shared that he enjoyed summers as a kid/teen on the old homeplace working with a bachelor uncle. The family farm (my grandmother's line) was located in Virgina close to the North Fork of the Holston River. Dad said that he and other boys from neighboring farms used to gather at the swimming hole at the end of the work day to wash off and play. In just the few sentences he'd utter his voice was laced with nostalgia. Otherwise, he was a tight-lipped man.

He spent a lot of time out of the house. He understood that as his function in the family dynamic. Go out and make as much money as he could. Now whether he understood it as a right or he was only reacting to the stresses posed by acquiring wealth without an education, he gambled, drank heavily, and whored around a lot when he wasn't working. Actually, as time went by, I feel certain that the boundaries between work and play got "mushy." More details will follow.

The mother is a native of Brussels, Belgium, and was born to a professional family in the year 1923, although as the child grew up she repeatedly maintained that she was born the same year as the father. When little Gary pointed to her date of birth on her immigration papers, she explained, "It was a clerical error." The difference in the ages between husband and wife were a matter of major concern for Yvonne Stoefs. Her story is easier to tell because of the hours she spent at the kitchen table regaling her son with stories of her life before her marriage. Much of her tale will spill into this account.

Yvonne met Charlie on the sidewalk in front of the stock exchange--the Bourse--in Brussels during the Allied Occupation following World War II. She asked him if he could sing like Bing Crosby. She never introduced him to her parents. With a one-way ticket, she arrived in America in 1948. She married my father in 1950 (there was a "delay" in their relationship which is a story in itself) and little Gary (me) arrived in 1953. She became a naturalized citizen in 1956. As above, her details will emerge in the body of this story.

And, then

The child is me who my father named Gary Marcel. The middle name was my Belgian uncle's and, according to my mom, my dad liked the sound of it. I am now looking down the barrel of an approaching fifty-fourth birthday (an Aries, a real ram-headed individual with occasional horns.) I consider myself a survivor, as well, and the story of that struggle is the one I'm going to tell.

There are character roles along the way: nuns, priests, doctors, coaches, a barber, men at the fruit stand, etc. They, too, will come forward and speak as necessary

Wednesday, December 27, 2006

Prelude: What's Past Is Present

Okay, okay! So here's why I opened the blog in the first place and why I've had such a hard time getting on task. I wanted to tell my story, at least what I know of it. I wish I could have the voices of the others involved so someone reading this might be assured that the writer was an objective source. But that's not possible in a biography, is it?

Why should I tell my story? After all, aren't most life stories pretty undramatic...normal? But the words of people wiser than I come to the fore: Don't compare. The things I've done, and the things that were done to me...well, they affected me and have had an effect on those close to me. I believe one of my first entries stated that this blog might turn out to be therapeutic. So, what I intend to do over the next few...well, who knows how long it may take, but I'm going to tell the story of how I got to where I am today... how I became who I am...and I also hope to give voice to who I may yet become. The story I'm going to tell is about a little boy who always believed that if he tried hard enough to be good, people would be able to recognize his worth as a human being and would never be able to hold anything against him. It is, after all, what he heard growing up from all the adults around him: we should all be good, but we are incapable of true goodness...and God made us this way.

So, if you choose to visit here, you'll read things that may make you uncomfortable. What I will describe is true as I remember it, as I felt it, as I perceived it. That's the best I can do. I have no apologies.

I was sexually abused as a child. My principal perpetrator was my father. I still feel awful for saying this. The nuns, the priest, my mother...everyone in authority over the child Gary told him that "Honor thy father and thy mother" was a commandment that must be kept. And so, when I was told "Don't make a sound" I didn't. I didn't begin to admit what happened to me until I met with a therapist about ten years after my father died. My father has now been dead for around twenty-two years. One would think I could have put all of that behind me by now. Would that I could. If you choose to visit here and read, you'll come across some screwy thinking. Again, I'll not apologize for it. I'll also probably bounce between a "first-person" account and a "third-person" tale. On occasion, I still refer to myself in the third person. It's a distancing thing, if not actually a sign of dissociation, which is a mechanism little Gary developed very early on.

For right now, this feels like the right thing to do. I'll return to this spot again. Comment at will.

"Like sands in the hour glass...

...these are the days of our lives." I'd really intended to stay on top of this blog-thing. I know I really need to journal. It's good for my psyche. I'd thought when I opened this site that the possibility of having others see "what's inside" might teach me something about moderation. SIGH But life and living gets in the way, doesn't it? Or, at the very least, I allow it to do so. Actually I doubt that I would have returned here had my son's godfather not commented in an e-mail that an old student of mine had visited the Big Bayr's Cave and left a comment. Good old Zippy stopped in! Some students still remember me...(hear those wee violins playing tremolo?)...but I'll not venture into a PITY PARTY, not tonight, not during the holidays...it's too cliche (You really can do purple prose!)

Friday, March 24, 2006

The Beggar's Opera





I work with a director who cannot sing, so musicals are rarely done at Lyon College. I love the musical theatre and find that it harkens back to the original roots of the art. The Beggar's Opera was a perfect match for the interests of a liberal arts college: as a historical piece, it reached across the disciplines and served the curricular needs of languages and literature, music, theatre, and history.

Wednesday, March 15, 2006

Stage works: Lysistrata




Lysistrata is a comedy I loved directing and designing. It is like the proverbial old chestnut that people never tire of hearing, the off-color joke Uncle Joe tells after the Thanksgiving meal.
Aristophanes, father of the Old Comedy, gave us a comedy that is both farce and satire, still fresh after nearly 2,500 years: "something for everyone, a comedy tonight!"

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